Tim Birkhead is a professor of behaviour and evolution at the University of Sheffield. His research on promiscuity and sperm competition in birds helped to re-shape current understanding of bird mating systems. He was elected a Fellow of the Royal Society in 2004. As well as a passion for research, Tim is committed to undergraduate teaching and the public understanding of science. His talks (like The Early Birdwatchers) and popular science books have gained widespread recognition: The Wisdom of Birds (2008) won ‘bird book of the year award’ and Bird Sense (2012) was short-listed for the Royal Society Winton Prize. His most recent books are Ten Thousand Birds: Ornithology since Darwin (2014) and The Most Perfect Thing: Inside (and Outside) a Bird’s Egg (2016).Read More
Is an author and environmentalist based in north Cornwall. Over the last three decades, he has worked on bird and biodiversity conservation in the UK, Kenya and Tanzania; primarily for the charity BirdLife. With Terry Stevenson, he is co-author of a field guide, Birds of East Africa(2001), and with Nigel Redman and Terry Stevenson of Birds of the Horn of Africa (2009). With Mark Cocker, he edited and published the complete works of the author J. A. Baker, including The Peregrine, in 2010. Working as a senior strategy adviser for BirdLife, and as an arts, science and conservation adviser for the Cambridge Conservation Initiative (CCI), he has a particular interest in the role of arts practice in conservation, is a member of the research cluster RANE, and has an MA in Art and Environment from University College Falmouth.Read More
Jo Joelson co-founded London Fieldworks with Bruce Gilchrist in 2000 to represent their art partnership. They work across installation, sculpture, architecture, film and publishing with works made in the landscape, for galleries, screen and radio. An urban-rural practice has been central to projects, with many involving a complex inter-working of social, natural, and technological worlds. Concerned with ecology and the environment they generate material from experience of place; exploring the authenticity of mediated experience, history, and culture. They have visited and made work in remote and rural parts of the world and in urban green spaces in the UK, using fieldwork methodologies to explore and reflect on human engagement with nature. Their works often attend to place and to habitat, investigating the meeting points of culture and nature through constructed interventions and installations.
Jeremy Mynott spent most of his professional career in publishing at Cambridge University Press, working successively as editor, editorial director, managing director and chief executive. Jeremy has explored the variety of human responses to birds in Birdscapes: Birds in Our Imagination and Experience (2009), a book described by reviewers as ‘the finest book ever written about why we watch birds’ (Guardian) and ‘ a wonderful rumination on birds and birders through space and time for anyone interested in our relationship with nature’ (THES). In 2016 he published Knowing your Place, an account of the wildlife in the tiny Suffolk hamlet of Shingle Street; and his most recent book is a cultural history of Birds in the Ancient World: Winged Words (2018). He is an Emeritus Fellow of Wolfson College, Cambridge, a regular reviewer for the TLS and a founder member of New Networks for Nature.
Ruth Padel’s collections include Darwin – A Life in Poems and The Mara Crossing, a meditation on migration. She is a Fellow of the Royal Society of Literature and a Trustee of the Zoological Society of London. Awards include First Prize in the National Poetry Competition and a British Council Darwin Now research award. She teaches poetry at King’s College London.
Katrina Porteous is a poet, historian and broadcaster, much of whose work involves a detailed and loving celebration of the people, landscapes and wildlife of the Northumbrian coast where she lives. She has written extensively about local inshore fishing traditions, and often works in collaboration with artists and musicians, including painter James Dodds (Longshore Drift) and piper Chris Ormston (The Wund an’ the Wetter). Her long poems for BBC radio with producer Julian May include Dunstanburgh, The Refuge Box, and – with electronic composer Peter Zinovieff – Horse and Edge. Her most recent poetry collection is Two Countries (Bloodaxe, 2014).